Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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robert herrick
Jenny Lind is a pop idol of the mid-nineteenth century

ID: 60204

robert herrick Jenny Lind is a pop idol of the mid-nineteenth century
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robert herrick Jenny Lind is a pop idol of the mid-nineteenth century


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robert herrick

The English poet and Anglican parson Robert Herrick (1591-1674) invented a fanciful world compounded of pagan Rome and Christian England, of reality and fantasy, which he ruled as his poetic domain.  Related Paintings of robert herrick :. | Guests Attending the Wedding (san09) | Self-Portrait of the Artist in His Studio | Self Portrait. | St. Augustine | Young Drinker sr |
Related Artists:
Francisco de Herrera the Younger
1622-1685 Spanish Francisco de Herrera Gallery
Jacques-Francois Ochard
was a French artist, remembered as the first art teacher of Claude Monet at his high school. Ochard had been a student of Jacques-Louis David (1748-1825), and lived in Normandy, to where Monet's family had moved in 1845. Ochard's method of instruction was the traditional one of drawing from plaster casts of the human figure.
majestas domini
Christ in Majesty, or Christ in Glory, in Latin Majestas Domini, is the Western Christian image of Christ seated on a throne as ruler of the world, always seen frontally in the centre of the composition, and often flanked by other sacred figures, whose membership changes over time and according to the context. The image develops from Early Christian art, which directly borrowed the formulae of depictions of the enthroned Roman Emperor. In the Byzantine world, the image developed slightly differently into the half-length Christ Pantocrator, "Christ, Ruler of All", a usually unaccompanied figure, and the Deesis, where a full-length enthroned Christ is entreated by Mary and St. John the Baptist, and often other figures. In the West, the evolving composition remains very consistent within each period until the Renaissance, and then remains important until the end of the Baroque, in which the image is ordinarily transported to the sky.






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